St Jerome d.420 was one of the four Fathers of the Church and is most renowned as the translator and editor of the Bible into Latin. This work was partly undertaken with the encouragement of St Damasus, the Pope for whom Jerome briefly acted as secretary - to which role his cardinal's hat refers. St Jerome 1521 Oil on panel, 60 x 48 cm Museu Nacional de Arte Antiga, Lisbon: Dürer painted St Jerome in Antwerp in March 1521 and presented the panel to his friend Rodrigo Fernandez d'Almada. He wrote in his diary: `I painted a Jerome carefully in oils and gave it to Rodrigo of Portugal.'.
Saint Jerome by Albrecht Durer. Northern Renaissance. religious painting. The appeal of Saint Jerome among Renaissance humanists is reflected in the fact that Dürer created more images of this scholarly saint than of any other in his graphic oeuvre.1 In the engraving of 1514, Dürer portrayed the saint as an exemplar of the Christian scholar: humbly clad in monk's robes, he hunches over his writing table within a.
The entire wikipedia with video and photo galleries for each article. Find something interesting to watch in seconds. St. Jerome in the Wilderness Dürer. Quite the same Wikipedia. Just better. St Jerome in the Wilderness c. 1495 Oil on panel, 23 x 17 cm National Gallery, London: St Jerome kneels as a penitent. In his right hand he holds the Bible, which he translated into Latin, and in his left hand the stone which he is using to beat his breast. Reproduction with Oil painting effect of painting made by Durer Albrecht - Harrowing Of Hell 1512 Harrowing Of Hell Engraved Passion or Christ In Limbo by Albrecht Durer. Painting analysis, large resolution images, user comments, slideshow and much more. Le hersage Of Hell ou Le Christ aux limbes Christ descent to hell See more. Saint Jerome in His Study German: Der heilige Hieronymus im Gehäus is an engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance.
Saint Jérôme dans sa cellule est une estampe extrêmement ambitieuse d’un point de vue formel. L’artiste accentue la profondeur de la pièce en plaçant le point de fuite non pas au centre, mais sur le côté. Cela permet de tirer des obliques plus longues, sur lesquelles appuyer la. 10/10/2017 · Welcome to ChristianArt.Today. In our first video, we look at 'St. Jerome in His Study' by Vincenzo Catena, an Italian Renaissance painter, highly influenced by Giovanni Belinni and the Quattrocento style. 04/01/2019 · Want to sell a work by this artist? Consign with Artsy. Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Often depicting religious subjects, Dürer’s woodcuts and. Saint Jerome in his study is a copper engraving by Durer. It is one of Dürer’s master engravings along with Melancholia I, & The Knight, Death & the Devil.
St. Jerome in the Wilderness is a double-sided oil on panel painting by the German Renaissance artist Albrecht Dürer, executed around 1496, now in the National Gallery. Saint Jerome in His Study evokes an ideal of scholarly and spiritual reflection. Set in the ordered interior of a monastic cell, the learned saint is seen at his writing table. The lion, Jerome’s legendary companion, and the dog blissfully adrift at his feet, contribute an undeniably sympathetic appeal to the tranquil scene. Albrecht Durer - St. Jerome Revises Bible by Albrecht Durer 1471-1528 Artistica di Stampa 45,72 x 60,96 cm: Amazon.es: Hogar.
Dürer’s St. Jerome in the Wilderness 1496 Dürer’s 1496 engraving of St Jerome in the Wilderness was probably his first relatively large engraving but is, nonetheless, replete with the subtle visual illusions and metamorphic forms of a master engraver. St. Jerome in the cell by Albrecht Durer “Saint Jerome in the Cell” – the third engraving in the famous series Three “Workshop Engravings” on copper. St. Jerome in the cell is an allegorical depiction of the contemplative way of life. Albrecht Durer Engravings Adam and Eve Doubting Thomas Erasmus of Rotterdam Four Horsemen of the Apocalypse Knight Death and the Devil Melencolia I Rhinoceros Samson Rending the Lion Self-Portrait St Jerome in his Study St. Christopher The Adoration of the Lamb The Cannon The Four Witches Young Hare. St. Jerome in His Study. 1514. Engraving. Read Note. Albrecht Dürer. Get a free print of "St. Jerome in His Study" FREE prints from FreeArt. Get a free. St. James the Apostle. Portrait of Michael Wolgemut. Portrait of Maximilian I. St. Anne with the Virgin and Child.
Dürer Dürer, Albrecht Albrecht Durer. Death, and the Devil 1513, Saint Jerome in his Study 1514 and Melencolia I 1514, which has been the subject of extensive analysis and interpretation. German art Old master print Knight, Death and the Devil Melencolia I German Renaissance. Melencolia I. While 'Knight, Death and the Devil' and 'St Jerome in his Study' have been seen as a comparison between the active and contemplative Christian lives, 'St Jerome in his Study' and 'Melancholia I' have also been paired as a contrast between life in the service of God and life in competition with God Panofsky p 156. Descriptive line.
St. Jerome Albrecht Dürer 16th century. MNAA National Museum of Ancient Art Lisbon, Portugal. Dürer’s masterpiece is an innovative solution in the iconography and forms of pictorial representation of the patron saint of Christian humanists. His obsession with this particular Saint is a reflection of the increasing veneration accorded to the four church fathers during the course of the fifteenth century. Dürer has here been inspired by his travels through the Alps and by his watercolor studies of quarries and cliffs around Nuremberg to create a rocky setting for an interpretation of St. Jerome fasting in the desert. 13/12/2019 · Buy, bid, and inquire on Albrecht Dürer: Saint Jerome on Artsy. Dated 1514, Saint Jerome in his Study was engraved one year after Knight, Death and the Devil lot 44, and like the earlier print it is full of reminders of death: the human skull on the window ledge, the crucifix on the desk, the candle and the hour glass, while the fly whisk can be read as a reference to the devil.
Jerome translated it as the Latin hedera, or ivy, instead of the more commonly accepted cucurbita, or gourd. 7 Aside from alluding to this debate and the intense picture it paints of Jerome as a learned man, however, Dürer may also be using Jonah’s gourd to indicate St. Jerome’s similar divine favor. Saint Jerome in His Study Dürer From Wikipedia, the free encyclopedia For the painting from the same artist, see St. Jerome in His Study Dürer, 1521.
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